Tempo+rhythm+and+Creative+Mood

 **__Tempo-Rhythm/External Adjustments and Creative Mood__**

**__Tempo Rhythm in Relation to Stanislavsky:__** Stanislavsky desired to add physical and emotional richness to a character and used tempo rhythm in order to achieve that. By using tempo-rhythm, actors could better execute their performance and make it more believable, by controlling intensity and speed. Stanislavsky also believed tempo-rhythm was key in helping with establishing a pattern of movement. He believed in order to be an effective actor, you must be aware that all emotions carry a certain "pulse and pattern".

__**Creative Mood in Relation to Stanislavsky: **__ Creative mood helps actors better their performance by drawing from creativity. This prevents them from relying solely on superficial aspects of theatrical clichés. When acting, Stanislavsky believes that it is vital to be in a state where you are open to inspiration. In this state, you must be capable of thinking as both the actor and the character combined. He observes that though, at first, you play your role consciously, you later play it truthfully and gradually become more immerged in you character by connecting yourself and the role.

__**Stanislavsky quote for inspiration:**__ // "One must not confuse the 'theatrical' with what is truly theatrical. The theater undoubtedly demands something special that is not to be found in life. So the task is: to bring life to the stage, while avoiding the 'theatrical' (which destroys life) but at the same time respecting the nature of the stage itself." //  __**Activity:**__ [PLM] e6ba355c7579a7ca34f214c46d1a8144=0b38bcf9ecc4cc43980a023d55aa305f0e313dcb3e7ecf0d808f2abcd9d7a6e6af6831735a2086ca67b6a8f44a4cdd652876bb33637f14e4c7c5478c4e62ce0d3605a58e 08742c1bd570399590645109e0b40958=5d42514cbe7cb9949d16290ca9b9d9105d42514cbe7cb9945d7d0a91ece □

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